Over the last decade my work has appeared across editorial and campaign photography for houses and publications that value patience over spectacle. I trained in documentary photography before moving into fashion, and that grounding still shapes how I work — observing first, directing lightly, and trusting the frame to hold a feeling rather than announce one. Studios and locations are treated the same way: as rooms full of light to be listened to. I shoot on both film and digital, and I print everything I love.